With many people volunteering their services, this year’s Jazz in the Cove is expected to funnel most of the money raised into the Horn Section, a music education fund established in memory of beloved music teacher Renda Horn.
“Miles of Eva” is Milo Matthews’ sixth solo album, yet the well-known musician considers it his debut.
How can that be, given the definition of debut is to “formally introduce one to the public?”
“I’ve spent the past 20 years on these songs, and some go back to 1989,” Milo said. “It’s a compilation of everything I’ve done, everything I am. This is the first recording I’ve done in this way – no holds barred. I worked on it every day for a year.”
The soulful intimations weaving between the performers Habib Koité, Oliver Mtukudzi, and Afel Bocoum have conspired to form an unlikely testament to the recognition of traditional African custom: Acoustic Africa.
Jenny Martin oversees about 35 Big Brothers Big Sisters along with their matching “littles,” a job that touches many Homer lives. For the past two decades she’s been a familiar face: She conducted outdoor camping trips for young people, oversaw a job training program at the Kachemak Bay Campus and helped local businesses while working for the Homer Chamber of Commerce.
Bunnell Street Arts Center hosts the first staging of the newly rewritten play, “Time Immemorial,” which tells the story of two souls as they relate to each other through many lifetimes. Co-written by Jack Dalton and Allison Warden, who are also the only two cast members, the show was originally commissioned by Cyrano’s Playhouse as one of five plays celebrating Alaska’s 50th anniversary of statehood.
Alaskan-grown rock band Static Cycle is back home after touring 14 states and sharing the stage with the likes of Daughtry, Drowning Pool, Puddle of Mudd, Eve6 and 36 Crazyfists.
They are set to play their first show in Homer, plus gigs in Fairbanks, and Anchorage, before heading back Outside to continue touring.
Whenever humans come together, there is music. Only relatively recently in our culture, did a separation arise between music performers and music listeners. In early America, playing music was a natural part of everyday life and everyone participated.
Portland’s Foghorn Stringband is part of a thriving revival that is keeping that old-timey music making alive and they are bringing this deeply rooted American tradition to Homer.
While Dan Tyminski may be best known as the artist who remade and sang the title song “Man of Constant Sorrow” for “O Brother, Where Art Thou,” his 13 grammy awards are certainly nothing to dismiss.
Tyminski’s updated version of the song won the 2001 Country Music Award for best single, as well as a Grammy for best Country Collaboration with vocals.
7 Days to Noon The four-piece band, “7 Days to Noon,” will perform at Duggan’s Pub Oct. 15, 16, 22 and 23. Members of the band say they always look forward to playing in Homer. “Homer people are more open to the more obscure music we love to play,” said guitarist Dustin Aaronson. “We love [...]
On their website, local band Yellow Cabin wryly lists their influences as “…loud crappy or borrowed amplifiers, smoky bars and their drunken patrons, epic bartenders, Guinness, not practicing original songs and of course Cabin Fever. Also the color green.”
All that “atmosphere” is missing when the band performs in concert at Pier One Theatre this weekend. What remains is solid entertainment.